Week 12 - Completion

​Assignment 1: Work in Progress Portfolio

Assignment BriefAt the end of the module you will submit a Work In Progress Portfolio (WIPP). Your WIPP will most likely represent a defined stage in your research project, or it may be a discrete project in its own right. Although your WIPP does not necessarily need to be a ‘resolved’ body of work, it should be visually cohesive and demonstrate discernment in terms of your selection, sequencing and overall presentation choices.
Your WIPP pdf may be an entirely ‘offline’ document, containing full screen resolution-sized images (c. 4000 px longest edge), and any relevant titles or captions if appropriate.
You may wish to explore with other methods of presentation, and have your work considered for assessment in a specific form or context. This might include, but need not be limited by:

• an online gallery / virtual gallery
• video / audio visual work
• zine / photobook dummy
• exhibition or installation
• performance
• workshop

​My WIPP:

wipp_portfolio_2.pdf
File Size:	40871 kb
File Type:	pdf

Download File

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​Blended images:

The photo album:

​Assignment 2: Documentary

Assignment BriefTo harness learning from the Sustainable Strategies module themes, and open up avenues for further research, produce a short documentary film or media artefact (eg interview, news report, animation), which contextualises and communicates the methodology of your current photographic practice.
Your documentary / media artefact should critically situate your production techniques, technologies and tools within the history and future of practice methodologies (locally and globally), while articulating principles of sustainability for moving your practice and research forward.
You may wish to:

• think of the documentary film / media artefact as telling a story about your practice and research, and of what was necessary (and perhaps ignored) in order to arrive at decisions made.
• use video documentation (eg of photo sessions or locations visited), stills, narration (by yourself or someone else), editing, stories and sound (carefully chosen) to support the audience’s understanding of your methodology.

If you include old work (produced prior to this module), the inclusion must be properly justified and changes in approach (eg what, how and why) identified and articulated.

My documentary: